Acoustic Guitar- Riff Of the Week® and Recording

GO TO DAVEWEINER.COM/ROTW TO FIND THE TAB AND AUDIO EXAMPLES FROM THIS ROTW.

Every Wednesday I do a new Riff Of The Week. Here's Season 3, Episode 1, "Recording Acoustic Guitar".

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Thanks for visiting. Enjoy!

The Shure Model SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals.

The SM81 is ruggedly constructed. It operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage. Other accessories are available.

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Reference-quality microphone especially used for accurate, beautifully-detailed pickup of any acoustic instrument
With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered.

Features:
High sensitivity and extremely low self noise

5 switchable polar patterns for placement and application flexibility

2-color LEDs provide quick visual indication of selected polar pattern and output overload

Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration

H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen.

High sound pressure level capability and wide dynamic range

Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformer-less output stage

3 switchable bass cut filters and 3 pre-attenuation pads with LEDs for quick visual indication

All switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditions

Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors

Absolute Reliability
The solid metal housing and transformer-less output stage combine to make the C 414 B-XL microphones immune to electrical interference from digital equipment, video monitors or from rf from wireless microphone or other communications systems.

5 Polar Patterns
The twin-diaphragm system gives you a choice of five different polar patterns (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight). The diaphragm is made from a special gold-sputtered plastic foil and the gold layer is deposited on the diaphragm only on the outer sides to prevent short circuiting to the back plate if strong blasts of air are applied.

Elastic Capsule Suspension
Structurally transmitted vibrations that interfere and color the sound are almost completely eliminated thanks to a new elastic capsule suspension system.

3 Switchable Pre-Attenuation Levels
Pre-attenuation levels are controlled by changes in the polarization voltage of the capsule and permit increases of 6, 12 or 18 dB in the maximum sound pressure level for close-up recording or for use on high-output sources.

3 switchable Bass Filters
The switchable bass-cut filters reduce sonic coloration and the risk of low frequency distortion. The slope of the 40 and 80 Hz filters is more than 12 dB-per-octave and these are especially useful in combating wind noise or vibrations from stage floors. The 160 Hz filter has a gentler 6 dB-per-octave slope useful in minimizing proximity effect.

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